Canto XXIV: Circle Eight, Bolgia 7, The Thieves

By Robert Rauschenberg SKU:304295

Robert Rauschenberg's ""Stolen Destinies Revealed""
Year Painted: 1960

In 1960, Robert Rauschenberg unveiled ""Canto XXIV: Circle Eight, Bolgia 7, The Thieves,"" part of the ""Thirty-Four Illustrations for Dante’s Inferno"" series. This artwork poignantly captures Dante's portrayal of thieves, transformed into reptiles, suffering in the inferno. Rauschenberg's dynamic textures and vivid palette breathe life into their torment. Its significance lies in its ability to translate Dante's vivid imagery into a visceral experience, provoking contemplation on justice, transformation, and the enduring power of visual storytelling.

cm
x
50 cm

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Total € 195

Title: Robert Rauschenberg’s “”Stolen Identities: A Visual Hell””
Year Painted: 1960

Crafted in 1960 as part of the series “”Thirty-Four Illustrations for Dante’s Inferno,”” Robert Rauschenberg’s “”Canto XXIV: Circle Eight, Bolgia 7, The Thieves”” offers a compelling portrayal of Dante Alighieri’s depiction of thieves in Hell.

In this artwork, Rauschenberg captures the essence of transformation and suffering as thieves are depicted as reptiles, emblematic of their moral decay. The dynamic textures and vivid palette utilized by Rauschenberg bring to life the intricacies of their torment, making it a visceral experience for the viewer.

What makes this painting stand out is its unique ability to translate literary imagery into a powerful visual narrative. Rauschenberg’s artistic interpretation invites viewers to contemplate the consequences of one’s actions and the transformation of identity as a result of moral wrongdoing.

The year 1960 places this artwork within a period of artistic exploration and innovation, where Rauschenberg’s unconventional techniques and boundary-pushing approaches came to the forefront. “”Stolen Identities: A Visual Hell”” is a testament to his skill in blending traditional artistic elements with contemporary sensibilities.

The painting’s significance extends beyond its aesthetic appeal; it serves as a timeless reflection on the consequences of ethical transgressions. By encapsulating Dante’s allegorical themes within a visual form, Rauschenberg offers viewers an opportunity to engage with questions of justice, accountability, and the human capacity for transformation.

In summary, Robert Rauschenberg’s “”Stolen Identities: A Visual Hell”” is a significant contribution to the “”Thirty-Four Illustrations for Dante’s Inferno.”” Painted in 1960, it captures the essence of Dante’s narrative while showcasing Rauschenberg’s talent in translating complex themes into impactful visual art. The painting’s resonance across time and its ability to provoke contemplation establish it as a special and thought-provoking work of art that continues to captivate audiences.

Original size:
29.2 x 36.5 cm (width x height)
Minimal order width:
40 cm
Maximum order width:
122 cm

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