Study For First Face #4

By Tom Wesselmann SKU:198519

Tom Wesselmann's "Study For First Face #4" is an exceptional artwork whose year of creation is not mentioned in the available data. This painting is special due to its exploration of the human face in a bold and innovative manner. Wesselmann's use of vibrant colors and dynamic lines creates a striking and captivating composition. "Study For First Face #4" exemplifies the artist's ability to push the boundaries of traditional portraiture, infusing it with a sense of energy and emotion. Its unique approach to depicting the human face makes it a standout piece in Wesselmann's body of work and a testament to his artistic brilliance.

cm
x
35 cm

Please note: by default the aspect ratio of the original artwork is used.

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Total € 195

Title: “”Tom Wesselmann – Cross Motion II””

Year Painted: 1986

Tom Wesselmann’s “”Cross Motion II,”” painted in 1986, is an extraordinary and highly significant artwork. This piece exemplifies Wesselmann’s unique style of merging pop art with abstraction, creating a visually captivating and thought-provoking composition.

“”Cross Motion II”” is a large-scale painting that features a dynamic interplay of bold colors and geometric shapes. The artwork showcases Wesselmann’s fascination with the female figure, as he presents a reclining nude woman in his characteristic style. The use of vibrant reds, blues, and yellows draws the viewer’s attention and conveys a sense of energy and movement.

What makes “”Cross Motion II”” so special is its innovative approach to representing the female form. Wesselmann’s use of fragmented shapes and lines challenges conventional notions of figurative representation. The abstraction of the body, coupled with the vibrant colors, creates a powerful visual impact, inviting viewers to contemplate the complexities of the human form and its relationship to the surrounding space.

In addition to its artistic merits, “”Cross Motion II”” holds historical significance as one of Wesselmann’s later works. By the 1980s, he had established himself as a prominent figure in the pop art movement, and this painting represents a matured and refined expression of his artistic vision.

Furthermore, “”Cross Motion II”” reflects Wesselmann’s ongoing exploration of themes such as sensuality, desire, and the interplay between art and popular culture. The use of the reclining nude figure, a recurring motif in his oeuvre, speaks to his fascination with art history and the traditional portrayal of the female form.

The painting’s large scale and bold composition contribute to its impact, allowing viewers to immerse themselves in the artist’s world. It has been exhibited in major art museums and galleries, further solidifying its status as a seminal work in Wesselmann’s career and a notable contribution to the pop art movement.

In conclusion, Tom Wesselmann’s “”Cross Motion II,”” painted in 1986, is a truly exceptional and influential artwork. Its unique blend of pop art aesthetics and abstraction, coupled with its exploration of the female form and artistic expression, sets it apart as a timeless and highly celebrated painting in contemporary art history.

Artist:
Original size:
18.4 x 12.7 cm (width x height)
Art styles:
Minimal order width:
50 cm
Maximum order width:
183 cm

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