Windmill at Knocke, Belgium

By Camille Pissarro SKU:41996

Pissarro, Camille - Windmill at Knocke, Belgium, painted in 1894, is a remarkably special artwork. Known for his Impressionist style, Pissarro captured the picturesque scene with delicate brushstrokes and a vibrant color palette. This painting stands out as it represents a transitional phase in Pissarro's career, where he began incorporating Neo-Impressionist techniques, evident in the subtle division of colors. The Windmill at Knocke showcases Pissarro's ability to blend traditional and innovative approaches, resulting in a harmonious composition that exudes tranquility. It is a testament to the artist's mastery and his contribution to the evolution of Impressionism.

42 cm

Please note: by default the aspect ratio of the original artwork is used.

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Total € 295

Title: Pissarro’s Windmill at Knocke, Belgium: A Neo-Impressionist Masterpiece

Year Painted: 1894

Camille Pissarro’s Windmill at Knocke, Belgium, painted in 1894, is an extraordinary masterpiece that epitomizes the artist’s mastery and his significant contribution to the Impressionist movement. With its blend of traditional and innovative techniques, this painting holds a special place in art history.

Pissarro, a prominent figure in the Impressionist circle, was known for his ability to capture the essence of landscapes and everyday scenes with remarkable precision and sensitivity. The Windmill at Knocke is a testament to his skillful brushwork and keen observation.

In this painting, Pissarro depicts a picturesque windmill nestled amidst the serene Belgian countryside. The scene is rendered with delicate brushstrokes and a vibrant color palette, characteristic of Impressionist art. The use of light and shadow creates a sense of movement and atmosphere, inviting viewers into the tranquil setting.

What makes this painting truly exceptional is Pissarro’s incorporation of Neo-Impressionist techniques. Inspired by the Pointillist style pioneered by Georges Seurat and Paul Signac, Pissarro experimented with the division of colors into small, distinct dots or strokes. This technique, known as “”divisionism”” or “”chromoluminarism,”” is evident in the Windmill at Knocke, where Pissarro skillfully applies individual strokes of complementary colors to create optical blending and luminosity.

The use of divisionism in the Windmill at Knocke showcases Pissarro’s willingness to push the boundaries of his artistic practice. By integrating elements of Neo-Impressionism into his Impressionist style, Pissarro demonstrates his openness to innovation and his constant quest for artistic evolution.

Furthermore, this painting represents a transitional phase in Pissarro’s career. During the 1890s, he increasingly embraced Neo-Impressionist techniques, influenced by his encounters with younger artists and his fascination with scientific color theories. The Windmill at Knocke encapsulates this shift, making it a pivotal work in Pissarro’s oeuvre.

Today, this painting is cherished for its timeless beauty and the artistic dialogue it establishes between the Impressionist and Neo-Impressionist movements. It serves as a bridge that connects different artistic styles and represents Pissarro’s role as a catalyst for artistic experimentation.

Pissarro’s Windmill at Knocke, Belgium, painted in 1894, stands as a testament to the artist’s mastery, his commitment to artistic innovation, and his significant contributions to the development of both Impressionism and Neo-Impressionism. It is a cherished masterpiece that continues to captivate viewers with its harmonious composition, luminous colors, and serene depiction of the Belgian countryside.

Original size:
65 x 54 cm (width x height)
Art style:
Minimal order width:
50 cm
Maximum order width:
183 cm

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