Miss Riviere (after Ingres)

By Fernando Botero SKU:197180

Fernando Botero's ""Miss Riviere (after Ingres)"" is a highly special painting that pays homage to Jean-Auguste-Dominique Ingres, a renowned Neoclassical painter. Created in 1961, this artwork is a reinterpretation of Ingres' portrait of Louise de Broglie, Countess d'Haussonville. Botero's distinctive style of voluminous figures adds a captivating dimension to the subject, infusing her with new life and character. This painting stands as a unique blend of classical art with Botero's contemporary vision, honoring art history while adding a fresh perspective, making ""Miss Riviere (after Ingres)"" a remarkable and noteworthy piece of artistic fusion.

cm
x
56 cm

Please note: by default the aspect ratio of the original artwork is used.

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Total € 225

Title: Captivating Beauty: Fernando Botero’s Miss Riviere (after Ingres)

Year Painted: 1988

Fernando Botero, a renowned Colombian figurative artist, crafted an extraordinary masterpiece titled “”Miss Riviere (after Ingres)”” in the year 1988. This painting holds a significant place in the art world due to its striking interpretation and the artist’s unique style, which has captivated art enthusiasts worldwide.

Fernando Botero is widely celebrated for his “”Boterismo”” style, characterized by voluptuous and exaggerated figures. In this particular work, Botero pays homage to Jean-Auguste-Dominique Ingres, the celebrated Neoclassical artist of the 19th century. “”Miss Riviere”” is a reinterpretation of Ingres’ “”Portrait of Madame Riviere,”” created in 1806, but with Botero’s signature touch.

In this rendition, Botero magnifies the female subject’s proportions, infusing her with the distinct fullness that is characteristic of his style. The figure exudes an aura of confidence and self-assuredness, emphasizing beauty in all its curvaceous glory. Through this transformation, Botero brings his artistic identity into dialogue with the timeless elegance of Ingres’ original work.

What makes “”Miss Riviere (after Ingres)”” particularly special is the seamless fusion of two distinct artistic sensibilities – the Neoclassical finesse of Ingres and Botero’s modern reinterpretation. The harmonious blend of these two styles creates a powerful visual narrative that transcends time and art movements.

Botero’s decision to reference a classical painting by Ingres also serves as a tribute to the art of the past, revealing the artist’s deep appreciation for art history and tradition. By reviving this historical piece through his own lens, Botero invites viewers to explore the connections between contemporary art and its roots, fostering a conversation about the cyclical nature of artistic expression.

Furthermore, “”Miss Riviere (after Ingres)”” showcases Botero’s mastery of form and technique. The precision with which he renders each voluminous detail highlights his artistic expertise, drawing attention to the interplay of light and shadow on the subject’s ample figure.

Over the years, Fernando Botero’s “”Miss Riviere (after Ingres)”” has become an iconic representation of his unique artistic vision and the seamless fusion of classical influences with contemporary expression. It stands as a testament to the timelessness of art and its ability to transcend boundaries and conventions.

In conclusion, Fernando Botero’s “”Miss Riviere (after Ingres)”” is a captivating artwork that intertwines the classical grace of Ingres with the modern exuberance of Botero’s style. Painted in 1988, this masterpiece represents the artist’s appreciation for art history while showcasing his unparalleled artistic skill. Its significance lies in its ability to bridge the gap between different epochs, leaving an indelible mark on the art world as a celebration of beauty in all its resplendent forms.

Artist:
Original size:
50 x 70 cm (width x height)
Art style:
Minimal order width:
40 cm
Maximum order width:
122 cm

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