Steel Drawing Edition: Rosemary Lying On One Elbow

By Tom Wesselmann SKU:198632

Tom Wesselmann's "Steel Drawing Edition: Rosemary Lying On One Elbow," painted in the 1980s, is a truly special artwork. This painting belongs to Wesselmann's iconic "Steel Drawing" series, where he experimented with metal cut-outs resembling his drawn lines. The artwork showcases his innovative approach to merging two-dimensional drawings with three-dimensional sculptures. "Rosemary Lying On One Elbow" stands out for its unique technique and the seamless blend of form and function. The use of steel gives the artwork a contemporary edge, making it a remarkable and influential piece in Wesselmann's artistic journey.

cm
x
28 cm

Please note: by default the aspect ratio of the original artwork is used.

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Total € 195

Title: Tom Wesselmann’s Steel Drawing Edition: Rosemary Lying On One Elbow – A 1980s Masterpiece

Year Painted: 1984

Tom Wesselmann’s “”Steel Drawing Edition: Rosemary Lying On One Elbow,”” painted in 1984, stands as a remarkable and groundbreaking artwork in the artist’s illustrious career. This piece is part of Wesselmann’s innovative “”Steel Drawing”” series, which showcases his mastery in merging drawing and sculpture into a single cohesive entity.

In this artwork, Wesselmann blurs the lines between traditional artistic forms, creating a unique hybrid that captures the essence of both drawing and sculpture. The use of steel, a material associated with industrial strength and rigidity, adds a new dimension to the artwork, elevating it beyond the conventional boundaries of art.

The subject of “”Rosemary Lying On One Elbow”” is a recurring motif in Wesselmann’s work – the reclining female nude. He was known for his bold and unapologetic portrayal of the female form, challenging societal norms and presenting women in a liberated and empowering manner.

The choice of steel as the medium for this artwork adds layers of meaning to the piece. Steel is a symbol of modernity and industrial progress, and its usage in the context of a reclining female figure subverts traditional notions of femininity. Wesselmann’s innovative use of materials contributes to the ongoing conversation about gender, power, and representation in art.

The “”Steel Drawing”” series marked a pivotal shift in Wesselmann’s artistic exploration. By transforming his two-dimensional drawings into three-dimensional sculptures, he challenged the distinction between flat images and tangible objects. The result is a dynamic and engaging artwork that invites viewers to interact with the piece from multiple angles, blurring the boundaries between viewer and art.

Moreover, “”Steel Drawing Edition: Rosemary Lying On One Elbow”” exemplifies Wesselmann’s mastery in capturing sensuality and intimacy through his art. The juxtaposition of cold, hard steel with the soft, curvaceous lines of the reclining figure creates a powerful tension that evokes a range of emotions in the viewer.

This artwork’s significance also lies in its influence on the trajectory of contemporary art. Wesselmann’s pioneering experimentation with materials and forms has inspired subsequent generations of artists to challenge artistic conventions and push the boundaries of their creativity.

In conclusion, Tom Wesselmann’s “”Steel Drawing Edition: Rosemary Lying On One Elbow”” is a seminal artwork from the 1980s that showcases the artist’s ingenuity in merging drawing and sculpture. Its use of steel as a medium, bold portrayal of the female form, and innovative approach to form make it a truly special and influential painting in the world of contemporary art.

Artist:
Original size:
36.8 x 20.3 cm (width x height)
Art styles:
Minimal order width:
50 cm
Maximum order width:
183 cm

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